Interview With Satya Healing at Ramone’s

On November twentieth, around nine in the morning, Natascha and her family friend, Sam P, met with Satya at Ramone’s Bakery and Coffee in Eureka. Their conversation became a deep dive into Satya’s history in the healing arts and the many ways she serves the community as a facilitator of sound baths, microdose offerings, yoga, reiki, and tuning fork sessions. Satya has brought peace of mind to many by offering a safe space to release, recover, nurture, and learn how to move through life’s challenges with greater ease.

As we enter the winter season, we invite you to explore the power of sound healing and discover how giving this practice a chance can enhance your life in the most positive way.

Natascha: Good morning Satya. Thank you so much for joining me today. At Little Lost Forest we’re always honored to highlight local healers, artists and visionaries. And today we’re in for a special treat. Humboldt County sound healing artist Satya Earth, founder of Satya Healing, is here to share her journey, her craft and the heart centered intention behind her work. I first discovered Satya during one of her sound healings and mushroom microdose sits. Over the course of about 90 minutes, a small mushroom microdose, gentle yoga and closed eyes opened the door to a vivid inner landscape. The soundscape she and her collaborators created carried me from the depths of the ocean to a fairy lantern forest, and eventually into the far reaches of space. The magic she facilitates comes not only from the instruments she uses, but from a deep well of knowledge, intuition, and care. Today we dive into that magic, its origins, its purpose, and the person behind it. Can you tell us a little bit about yourself? 

Satya:Thank you for having me here. It’s really great to see you. A little bit about myself. I’m a mama of two little ones.  They are my whole world and have been a driving force for my evolution in the landscape of sound healing, energy work and working with medicine. My background comes from psychology. I majored in psychology and got my bachelor’s in 2014, and from there I decided to branch out and study different forms of holistic healing. I studied yoga and herbalism, energy work, and sound healing, and have now branched out into the realm of working with psilocybin. 

Natascha: Yay! Thank you for sharing. When did your journey with sound healing begin? 

Satya: I attended my first sound bath with Jen Madrone back in 2017, and that was an initiation into the world of sound healing and experiencing. Noticing where I was in my life at that time.  

Sound healing can stir up a lot of things for us, especially if we’re just beginning the journey. Throughout the years, I’ve gathered tools to support integrating the experiences and emotions that arise when receiving sound healing. This has helped to make it easier to understand and navigate the things that come up. It can really bring up a lot of stuff. Like old stories and thought patterns. Bringing them forward to be acknowledged and felt. It was a beautiful introduction to getting to know myself. The stories that I hold and how to how to work with them and how to transform them. In 2021 was when I bought my first gong and that was inspired through the birth of my second daughter. I had a very challenging experience with postpartum depression. In a place of desperation to not return to pharmaceuticals, I searched online things that could help my nervous system and help with depression and anxiety. Sound healing was the first thing that popped up. I was reminded of my experiences with Jen and decided to take the leap to purchase my first gong. 

Natascha: That’s beautiful. I really love how you worked against the postpartum and found natural ways to heal instead of falling into it. Did you have any mentors or influential teachers along the way? 

Satya: Absolutely. My number one mentor, her name is Josie Bravo. I met her when I was when I was in a hospital. I had a really hard adolescence; childhood. She met me at some of the hardest times in my life. I’ve known her for 29 years now. She has been a guiding light and I wouldn’t be where I am today without her support. 

Natascha: Wow. 

Satya: She’s been a really big influence. Like a guardian angel for me along this path. My other mentors are Jen Madrone. She’s an incredible being, here in Humboldt County. I’ve studied Reiki II and my Master Reiki course with her. A couple other influential teachers are Eileen McKusick. She’s the woman that discovered tuning the human biofield. I love blending my own interpretation of her teachings into my sessions.  I scan the field with a tuning fork and listen for different sounds and that resonate from the tuning forks to let me know where there is perhaps some stuck energy that can be brought into coherent energy. Another incredible teacher that I haven’t had the opportunity to learn from yet, but I’ve heard great things of his name is Mike Tamburo and he will be here in Humboldt County in March 2026.  

Natascha: What will Mike be teaching you or working with you? 

Satya: He’s a gong master. He’ll be doing three day long class for a few days. And we’ll be learning different techniques and styles of how to work with sacred healing instruments, mainly gongs. 

Natascha: During your sessions, there’s usually other people in the room that are playing the instruments along with you or offering the mushroom micro-doses. Who do you choose to collaborate with for your sound healing sessions? 

Satya: I just collaborated with Fallon Orr. We had a beautiful offering where we offered microdosing, yoga nidra and sound healing. It was a different space from the class that that you attended. More stillness and opportunity to reflect in that stillness. It was very supportive for rest. 

I just received my certification as a psychedelic facilitator through Emerald Valley Institute. After sharing medicine in the community for nearly 4 years, I decided I wanted to learn more about the history, culture and varying approaches to holding ceremony in psychedelic spaces. Another person I have worked with is Michiah Tobin. She’s an acupuncturist based out of Fortuna. I love blending multiple modalities together for a transformative intentional experience.

Natascha: Well thank you. How do these sounds and frequencies impact your participants? 

Satya: That’s a great question. Each person and how they experience sound is very unique. And each session is very unique. Some of the things that I have noticed participants experience would be emotional clearing and release. I’ve heard some really good feedback on how people will come into a session feeling highly stressed and overwhelmed with life and would leave with a new state of grounded clarity. The beautiful thing about sound healing is that it creates neural plasticity and neurogenesis. By approaching your session with an intention this offers us an opportunity to see, feel and think differently about the things that we’re experiencing in life. And like you said, when we’re in this space there are visuals, there’s feelings of floating. It can be a psychedelic experience without the medicine, with the things that we see and that we feel. It offers a place of deep rest for the nervous system. 

Natascha: Absolutely. I definitely found a release for my anxiety when I go to your sound healings and I feel really well going back into the world, more prepared. Your vocal work is especially moving where you learn to sing? What language or tradition are you drawing from? 

Satya: I’ve been singing since I was three. Song has been a part of my whole life. I was in choir for eight years, and I was in a band for a couple years. Interestingly, I always felt nervous. And to this day, I still feel some nerves before I sing. But, after I traveled to India back in 2014, I was studying yoga there and we learned a lot of mantras and Sanskrit prayers. It is in this place of prayer that the anxiety dissolves and my intention of sharing song expands. I sing in Sanskrit, and the songs that you’ve probably heard are called the beginning prayer, the ending prayer and the Anahata prayer.

Our voices are our most powerful instrument, and it’s my mission to continue sharing this instrument, along with these other instruments and empowering other people to come into a place of comfort in their own body and their voice. I encourage people when I’m singing, when the sounds are going; we can hum, we can sing too, and start to vocalize because that’s how we can move energy throughout our body. 

Natascha: Yeah, that’s some of my favorite moments. I really enjoy your singing, and I like that you pushed me to sing and your participants to sing, because oftentimes I don’t use my voice. It does resonate with me, and it does bring something positive out. So thank you for doing that. What dreams and aspirations do you have for such a healing moving forward? 

Satya: I love this question. 

Natascha: What’s next? 

Satya: Yes I am so excited about what’s next. 

I am creating some packages to make these experiences more accessible. After going through my psychedelic facilitator training, I really want to work with marginalized communities. Whether that means I look into what it would be to become a nonprofit or I look into fiscal sponsorship. I really believe that this type of medicine is something that everybody needs. 

Natascha: Cool. I can’t wait to see where you go with it. Was there anyone who inspired the evolution of your art or an event? Possibly. 

Satya: Absolutely. I had some moments to reflect on this, and the evolution of my art truthfully, has come from a place of pain and suffering and knowing that these wounds can be transformed. And I’m speaking from a mother wound that without that experience and without those wounds, I wouldn’t be where I’m at today. Having a troubled relationship inspired me to ask: how can I best show up for myself and how can I best show up for my children and for my community? How can I create this space of safety and trust within myself and within my community?

I’ve been learning different communication styles, like compassionate communication, paraphrasing and reflecting. These are all practices that I’m in a space of learning right now and eager to implement into how I parent my children and how I speak to myself, how I speak to my community and to my clients, and I’m really encouraging all of us to become more curious about how are we communicating with ourselves? How are we communicating with our loved ones? Because this is where we can we can really come together and come together in a space of safety and trust. 

Natascha: I think you’re really advocating for people that are struggling, that there’s a light on the end of the tunnel. As a mother, too, there’s a lot of stress in motherhood and seeing you blossom and bloom that shows that we don’t have to be the pain of our families, but that we could create our own positive walk of life and the way that you impact your community. It loudly speaks that you walk the walk that you’re not just talk. So thank you for doing all the all the work you do with us here in Humboldt. What are your thoughts on human consciousness? 

Satya: Another fabulous question, Natascha. My thoughts on human consciousness; human consciousness to me, is a state of being. I come from a spiritual and perhaps Buddhist approach where I believe that all living sentient beings from our animals to the trees to the rocks, to the dirt, to the insects. We all have a consciousness. We are all here coexisting as one on this cell of Earth. And when we can come into that place of connection, we can really start to come together in this collective ecosystem. 

Satya Sound Baths

Natascha: That’s beautiful. How does that deconstruct the ego when you come into a mindset of a universal consciousness? 

Satya: Mmm, yeah. We’re definitely deconstructing the ego and perhaps deconstructing the hierarchy of humans being at the top and everything else being below us. I know that there is definitely some advancement in technology where we are now having the opportunity to communicate with our animal friends. And it is deconstructing how we view our existence and how we view the existence of other beings in this world. It’s really powerful. We can come into this from a wholehearted space, or we can, you know, use it for power. So it’s really up to the individual and how we approach this type of technology. Language is technology too. You know, it’s like these things are always advancing. And so it’s like, who is behind this and what are our intentions behind it? And it’s how we show up and how we reflect that into our circles and into our community. And that’s when we really have that opportunity again, to come together into this collective space of awareness, which is kind of linking to that state of consciousness, the consciousness and the awareness, how we show up, how we reflect, how we have awareness of our energy and how we impact the environment around us. I feel like I could go on forever. 

Natascha: I love this, I just want to dig a little deeper into it. You mentioned animals briefly. Is there a connection between your sound healing and nature? Maybe you play your music outside, or you feel a deeper connection to the earth and to the animals when you perform sound healing? 

Satya: Absolutely. I have a very deep connection with the elements and with nature. When I take my gong out and I play next to that maple tree and Cheatham Grove, I’m playing for that tree and I’m playing for the land. And I just imagine this time lapse of this tree living there and all the things that have surrounded it. And for me, I just, I want to be with that tree for that moment and play the sounds. And when I play my infinity disc, that sounds like the ocean, I’m like, man, this tree won’t ever have that opportunity to be by the ocean. So maybe I could bring the ocean to the tree. 

Natascha: Cool and lastly, what are your beliefs or reflections on the afterlife? 

Satya: Reflections on the afterlife. I do believe that we are reincarnated. I do believe in karma. I believe that the things that we’re experiencing in this life are perhaps a reflection of the life we’ve led before. I also go between this, you know, when we die, we go into the void. We go into emptiness. No one knows. And we have access to so much information that we can decide what we want to believe. But we truly just don’t ever know. So when I think about what the afterlife is, I like to consider a lot of things. But I also don’t have a concrete belief because nobody truly knows. 

Natascha: Absolutely.Do you have any advice for someone that might be depressed, anxious, or struggling in their life? How to get out of that negative spiral? 

Satya: Well, there are many approaches to helping ourselves through these stagnant, dark places. The first approach that I like to suggest is, depending on the severity of it, is having a counselor or a therapist. Somebody to offer an objective perspective, somebody who will support us in our stories that we share and perhaps guide us into healthier states of thinking. Also bringing in the element of what are we putting in and on our body. And that’s not just food, that’s not just cosmetics. That includes the things that we watch, that includes the people that we surround ourselves with. That includes supplements that we’re taking. So it’s really a whole approach when we start getting into this world of depression and anxiety. I mean, we can look at our gut microbiome that’s definitely linked to anxiety. Parasites are linked to anxiety. And then when we start to go in a little bit deeper outside of the the physical being of depression and anxiety, we can start to go into like the emotional body and the ethereal body, and that’s where we can bring in these alternative modalities to help us. That could be energy work, that could be sound healing and microdosing. But then again, drawing it back into the self, it’s really about our perspective, how we speak to ourself. So again, coming into that tug of war that we experience when we’re going into this place of depression and anxiety: The stories that we tell ourselves, how we talk to ourselves. And a lot of this is linked to how we were raised and how we were talked to and how we were taught to manage these things. 

Satya: In my psychedelic facilitator training,  we learned about this thing called the default mode network. And when we’re born, up until we’re about four, this network in our mind is very malleable. But around the age four, we are now learning to exist in the world through the way that we are talked to by our family members and the authority around us. And those pathways start to get very rigid. And so then we start existing in that story. So when we are working with psilocybin in larger doses, we have the opportunity to do what is called a reset dose, where the default mode network gets shut down. And this is where we have access to new pathways, new ways of thinking and feeling existing, perceiving and we want to be slow with this. Whenever we’re in this place of depression and anxiety, how long did it take us to get here? How long have we been in that place? And just know that there’s no one pill. There’s no one experience that’s going to shift things. This is a practice that we have to implement and be dedicated to daily. The most important facet of that is who are we surrounding ourselves with? Who is our support system, our community, the classes we attend, the people we talk to. These are all factors to consider when we’re starting to address these symptoms of depression and anxiety. 

Natascha: Coming into the winter, is there are certain practices that you do seasonally; more winter style forms of healing? 

Satya: When we come into the winter. I personally think about darkness. I think about going into a place of hibernation. I think about what is nature doing? And I do my best as a single mother, to slow down. Some practices that we can do is look at how we can slow down. How we can create spaciousness and just noticing when we are overdoing. When we are doing too much and just taking a moment to step back, reflect and say “hey, I need to cancel.” 

Satya: One practice that I learned recently that’s been so helpful, is tuning into our breath and tuning into what it means to clear our energetic field. When we are starting to experience that tightness in the body, or we notice we’re getting really overwhelmed and feeling frantic. Come back into the breath. Breathe through the souls at the feet.

Satya: And as we’re exhaling, we’re releasing this energy out through the crown of the head. And this is the cycle. Breathing in through the feet, coming through the center of the body, breathing out through the crown. And as we continue this breath, we’re starting to think about, I’m breathing in calm and I am letting go of any tension. I’m letting go of any chaos that I’m holding in my belly, that I’m holding in my heart. I’m holding in my brain. I’m letting that go. I’m returning it to sender. I’m returning it to the universe. And I love this practice, especially for people who are highly sensitive or for highly empathic people. People who tend to absorb energies easily. This is an amazing breath practice, because then we get to tune into not only our breath and clearing our fields, but we’re starting to acknowledge what is mine and what is not mine. What am I holding on to? Maybe I’m holding on to something that I experienced yesterday, and now it’s time to let that go. And it’s time to bring in that clearing and that self-forgiveness, so that we can have a clear field and show up for our friends and our family in a more balanced state. 

Natascha: As we move into the winter, sound healing offers a powerful way to calm the nervous system, reconnect with the heart, and bring clarity to the mind. Satya, thank you so much for your time and for sharing your wisdom with our Little Lost Forest community. 

Satya: Thank you so much. I appreciate you. Thank you for calling me in and sharing these moments together. Blessings. 

Next Sound Bath is Dec. 18th 2025

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Mushroom Hunting pt.3

If you’ve been following my blog, you might know that Headwaters, in Eureka, CA, is one of my favorite hiking spots. After a good rain, it transforms into a mushroom paradise, with various types of fungi appearing all along the trail. The Eel River runs through the area, providing a home for anadromous salmon that use this sacred ground as their breeding grounds. The hike is alive with vibrant green vegetation, from towering trees above to the lush undergrowth below. Banana slugs cross your path while small birds flit about, their songs echoing through the ferns and low-hanging branches.

On this hike, I was joined by my friend Sevlynn, a talented photographer who captures stunning images of mushrooms along the West Coast. Everywhere we went, the sound of running water followed us, a calming rush that felt like a peaceful, yet energizing force.

Curious about mushroom exploration? The best part is—this time of year, you can’t miss them. Mushrooms sprout in clusters along the trail, whether you’re heading toward the water or trekking up the mountain. They’re everywhere, no matter which direction you take.

Did we pick them and eat them? Not quite—at least, not yet. We picked a few, touched them, and marveled at their unique qualities. We guessed which ones might be edible, laughed at the oversized ones, and examined the tiny black ones that were so small they were almost a curiosity in themselves. When you pick a mushroom, it releases spores, creating new mushrooms. While you shouldn’t pick every mushroom you see, touching them is an essential part of understanding them—feeling the texture, whether slimy or firm, studying the gills or spines, and noticing the changes in shape or color with age. I watched as Seveylnn carefully uncovered mushrooms hidden under layers of decayed foliage. It’s amazing what can be found beneath the forest’s blanket of leaves and moss.

Mushroom identification can be a fascinating and rewarding experience, but it requires careful attention to detail. When you’re documenting a mushroom, take clear pictures of the cap, gills, and stem to capture its key features. It’s also helpful to note important characteristics like the color and texture of the mushroom, whether it has a skirt or ring, and the type of gills it has—are they attached, free, or decurrent? For a more thorough observation, you can cut the mushroom in half and examine what it looks like inside. These details will help you better understand the mushroom and make identification easier.

Another step in the identification process is collecting spores. This can be done by creating a spore print, which is a simple yet informative method. First, remove the mushroom stem and place the cap, with the gills facing down, on a piece of paper or foil. Add a drop of water to the cap to encourage the spores to fall, then cover it with a glass or a paper cup. Leave it undisturbed for anywhere from one to 24 hours. When you gently lift the cap, you’ll see the spores left behind on the paper or foil. Store the spore print in a cool, dry, and dark place, sealed in a bag to preserve it for future reference. [More experimentation with spore prints will offered in a future post.]

If you’re interested in growing mushrooms at home, spores can also be collected using a spore syringe. This method involves placing your spore print inside a plastic bag, injecting a few drops of sterile water into the bag, and then gently rubbing the print from the outside to release the spores into the water. Once the spores are suspended in the liquid, use a sterile syringe to draw up the spore water. This makes it easy to use the spores for mushroom cultivation.

Whether you’re identifying mushrooms in the wild or collecting spores to grow them at home, safety and cleanliness are essential. Always work in a clean environment to avoid contamination, and take your time to carefully document each step. The process can be both fun and educational, giving you a deeper appreciation for the incredible diversity of mushrooms.

Let’s dive into some mushrooms we encountered.

Inocybe geophylla (White Fibrecap) – This poisonous mushroom can be found under both conifer and deciduous trees in summer and autumn. It’s common in North America and Europe, so be cautious when exploring.

Psilocybe cyanescens (Wavy Cap) – Known for its potent psychedelic properties due to psilocybin and psilocin, this mushroom is not considered dangerous in terms of physical harm, though it should be approached with care and knowledge.

Lactarius deliciosus (Saffron Milk Cap) – Found under pine trees, this mushroom is edible and known for its distinct orange cap and gills that exude a greenish latex.

Hygrocybe coccinea (Scarlet Waxy Cap)- If you’ve been following this blog, then the Scarlet Waxy Cap (Hygrocybe coccinea), also known by its former name Hygrophorous coccineus, will likely be familiar to you. This vibrant mushroom stands out in the woods with its striking red appearance, making it a favorite for both mushroom hunters and nature enthusiasts alike.

The Scarlet Waxy Cap has a conical, smooth cap that shines in various shades of scarlet to deep blood red. When fresh, its surface is moist to the touch, giving it a glossy, waxy look that truly lives up to its name. The gills beneath the cap are a brilliant reddish yellow, broad and closely spaced, though they can become almost distant as the mushroom matures. The edges of the gills are delicate and thin, further enhancing the mushroom’s fragile beauty. These gills are attached to the stalk, and the entire structure, though thick, maintains a light and waxy feel.

The stalk of this mushroom is equally captivating—orange-red in color, it gradually becomes lighter towards the base. Its moist texture is consistent with the rest of the mushroom, and like the cap, the stalk is hollow. The spore print is white, and the spores themselves are smooth and elliptical, adding a finishing touch to the Scarlet Waxy Cap’s delicate yet vibrant nature.

This mushroom is typically found growing on the ground in mixed woodlands during the warmer months, from July to October. Its colorful and eye-catching appearance makes it a standout during foraging expeditions. However, while beautiful, this mushroom is not typically sought after for culinary purposes. Its main role in nature is as part of the intricate web of decomposers, helping break down organic matter in its environment.

Trametes versicolor (Turkey Tail)

Trametes versicolor (Turkey Tail) – A bracket fungus that grows in concentric rings around tree trunks, Turkey Tail is used in traditional wellness practices and has potential medicinal benefits.

Clavulinopsis helvola (Yellow Club),

We also spotted (above) Clavulinopsis helvola (Yellow Club), a small, yellow mushroom often found in grasslands or woodland litter, and Bolbitius titubans (Yellow Field Cap), young specimen can be easily distinguished by its yellow, egg shaped cap (below).

As we continued along the trail, we found more mushrooms like (above) Caulorhiza Umbonata (which you can see from the brown pointed hood) and (below) Hygrocybe punicea (Crimson Waxcap), with its vibrant red cap.

Amanita ocreata (Death Angel)

But not all mushrooms are harmless. Amanita ocreata (Death Angel) is one to watch out for. It’s a deadly mushroom that closely resembles edible varieties, making it particularly dangerous. Always be cautious when foraging.

Turbinellus floccosus (Scaly Vase),

We also discovered Turbinellus floccosus (Scaly Vase), a beautiful chanterelle with orange-red caps and unique ridges on its underside. Its appearance is striking, but it’s a reminder of the diversity found in these magical forests.

Known as the black-footed polypore or black-leg, Picipes badius is a striking mushroom with a deep connection to its environment. Its name derives from the Latin word “badius,” meaning reddish-brown, which aptly describes the dark, earthy tones of its cap. The mushroom’s most notable feature is its dark stipe (or stem), which contrasts with the lighter, brownish cap.

In its early stages, the cap starts out convex before flattening as it matures, often becoming kidney-shaped or lobed with a wavy edge. The cap’s surface begins smooth and glossy but becomes wrinkled with age, typically darker in the center and lighter towards the edges. The stipe, dark brown to black, is velvety and covered in longitudinal wrinkles as it matures.

Although Picipes badius is inedible due to its tough, woody texture, its ecological role is essential. This fungus is a saprobe, meaning it feeds on decaying organic matter, and is particularly fond of hardwoods. It thrives in temperate regions of Asia, Europe, and North America, where it contributes to the breakdown of decaying trees, playing a key part in the natural cycle of forest ecosystems.

Under the microscope, this species reveals a fascinating structure. Its spores are smooth and translucent, while its hyphal construction is dimitic, containing both generative and skeleto-ligative hyphae, which give the mushroom its sturdy texture. These tough tissues reflect the mushroom’s role in decomposing wood, as it slowly breaks down and returns nutrients to the soil.

Coprinellus micaceus, commonly known as the mica cap, is another mushroom with its own set of captivating features. This species was once classified as Coprinus micaceus but was reclassified to Coprinellus in 2001 after phylogenetic studies provided a clearer understanding of its genetic relationships.

The mica cap is a small yet beautiful mushroom, often found in dense clusters. Its cap starts off oval or bell-shaped and expands as it matures, eventually becoming convex. The cap’s surface is initially covered in shimmering, mica-like particles, which give it a glistening appearance. As the mushroom ages, these particles are lost, leaving behind a smooth cap that can range from tan to yellow-brown in color, often darkening toward the center.

Coprinellus micaceus (shiny cap, the mica cap or the glistening inky cap,)

What sets Coprinellus micaceus (shiny cap, the mica cap or the glistening inky cap,) apart is its unique process of autodigestion, or deliquescence. After picking, the gills of the mushroom begin to dissolve into a black, inky liquid, a process that allows the spores to spread. This transformation happens rapidly, and the mushroom can be eaten only before the gills begin to blacken. It’s this delicate balance between being edible and quickly deteriorating that makes C. micaceus such a fascinating organism.

This mushroom thrives in environments rich with decaying organic matter, particularly in rotting hardwood stumps and logs. It prefers wood that has already begun to decompose, contributing to the final stages of wood decay. Though it’s an important part of the ecosystem, feeding on the bark and softened wood, it’s also quite adaptable, often growing in disturbed areas like gardens, roadsides, and even indoors in humid conditions.

Despite its small size, C. micaceus has some impressive qualities. It is edible and often used in cooking, particularly in dishes like omelets or as a flavoring for sauces. However, due to its fragile nature and tendency to degrade quickly after picking, it’s important to handle it carefully and cook it promptly. The mushroom’s delicate flavor makes it a treat, though it can be easily overwhelmed by stronger ingredients.

The Importance of Fungi in Ecosystems

Both Picipes badius and Coprinellus micaceus demonstrate the fascinating roles fungi play in our natural world. While Picipes badius might not be edible, its role in breaking down dead wood and returning nutrients to the earth is invaluable. On the other hand, Coprinellus micaceus offers a unique combination of ecological function and culinary delight, with its ability to break down decaying wood and its brief window as an edible mushroom.

These fungi remind us that mushrooms are more than just food; they are vital players in the web of life, contributing to the health of forests and ecosystems across the world. Whether you’re an avid forager or simply a lover of nature’s wonders, the next time you encounter these mushrooms, take a moment to appreciate their beauty and their role in the environment.

The forest at Headwaters is rich with life, from the towering redwoods to the tiny mushrooms underfoot. Every hike offers something new, a deeper connection to nature, and a chance to witness the delicate balance that sustains the ecosystem. Whether you’re a seasoned mushroom hunter or just starting to explore, there’s always more to discover in this lush, thriving world.

Until next time, keep exploring and always tread with care.

Happy mushroom hunting!

Disclaimer: I am not a professional mycologist, and the content on this blog is for informational and educational purposes only. While I strive to provide accurate information about mushrooms, I cannot guarantee the accuracy of mushroom identification or safety.

Harvesting and consuming wild mushrooms can be extremely dangerous and should only be done by individuals with proper training and expertise. Misidentification can result in serious illness or even death. Always consult with a qualified mycologist or local mushroom expert before consuming any wild mushrooms.

By using this blog, you acknowledge and agree that I am not responsible for any harm, injury, or loss that may result from your actions based on the information provided here.

Foraging responsibly means prioritizing safety first!

Mushroom Identification in Humboldt County

Happy Winter Solstice! 

December has come, and rain has poured, which, to us enthusiasts, means the mushrooms are popping! We have done some local exploring over the past two weeks, and I have some pictures from Redwood Fields to share with you. We did not forage these mushrooms (#takepictures, #leavefootprints) but spent time locating and identifying them with our two-year-old helper, Malakai! 

They say kids are better at finding mushrooms because their eye level is closer to the ground! All the reason to take your young ones out mushroom hunting! 

If you are interested in the basics of mushroom foraging please check out my blog post Foraging Mushrooms in Humboldt County.

When entering Redwood Fields, we turn right to the back of the parking lot where the trailhead begins. When hiking this trail, it’s easy to get lost in time and space, so note where you’re going. This trail is less maintained than others and has a roughness that I appreciate. Many fallen trees aid in the production of fungus and flora. Here is what we found. 

All of these fungi are inedible to my knowledge. 

Hypholoma fasciculare, also known as Sulphus Tuft, grows from wood, stumps, or roots and is a beautiful reminder to check tree growth for clusters. 

Above is another photo we got of the Sulphus Tuft.

Clavulinopsis Laeticolor has a solid yellow ochre color and has a wiggly alien look growing in tall, thin towers coming out of the hardwood undergrowth.

Hygrocybe Punicea are related to agaric, meaning they are gilled and part of the Hygrophoraceae family. They are locally known as scarlet waxy caps. They are beautiful in color and shape. 

Here is a scarlet waxy cap whose gills are upward; this is to release all of its spores at the end of its life cycle before decomposing back into the earth and reiterating the ground around it for the new generation of mushrooms to sprout. 

This is also a Hygrocybe Punicea!

This slimy, narly orange mushroom pouring out of the ground (to the left) is the starter of a Hygrocybe flavescens, also called a golden waxy cap. As you can see, this mushroom pushes up from the ground to disperse spores in its fruiting body; this part of the cycle is called the primordial formation. To the Right is the Hygrocybe flavescens in its midlife progression. 

We came across a little patch of Infundibulicybe gibba al, a common funnel. This mushroom may resemble a Clitopulus Prunulus (the Sweetbread mushroom), but you can tell, unlike the Sweetbread mushroom which has a thicker lip, the Common funnel reaches its name by concaving inward with a thin lip. 

I could not correctly identify this mushroom (#10). I believe it is a Lepiota. As you can see in this photo, it is an older mushroom. Not all mushrooms curl up at the end of their life cycle, or they could have died before it was ready to dispense their spores. Mushrooms are more identifiable when a picture of their gills, stems, and overside is captured.

I couldn’t even get close to identifying Mushroom 11. 

The Alice in Wonderland mushroom, scientifically known as Amanita muscaria, has a minor toxin and can be dangerous. I don’t recommend processing it without extensive knowledge. It is known that North American medicine healers would gather the urine of reindeer that took on the hallucinogenic properties of the Amanitas and drink the substance to create a spiritual journey. 

I’ve identified this mushroom as the Russula Xerampelina, or the Shellfish-scented Russula. Many types of Russulas can easily be identified by their deep rose color that varies in shades and thick white gills. 

The mushroom above (Mushroom 15) remains unidentified but feel free to leave your thoughts in the comments!

The tall, thin fungus on the left side is the Tremellodendron pallidum or Ttremellodendron Schweinitzii; its street name is the Jellied False Coral. It is not actually in the coral family but in the Jelly because of the microscopic structure of its spore-producing basidia. The centered mushroom in its late stage is not remarkable anymore, but looking at the next photo, I assume they are the same fungus species. 

This beautiful white mushroom is the Cuphophyllus virgineus, also known as the Snowy waxcap. This cap is rounded until it ages and flattens as it is exposed upward. In this photo, it resembles a blossoming flower. 

Interestingly enough, this mushroom is devastating the forest. It’s called Heterobasidion annosum and causes root rot commonly in pine trees. It is responsible for one billion US dollars annually, according to Wikipedia. This virus usually is infected with fresh cuts in the tree and spreads through the roots to neighboring trees and by insects. It causes large cavities in the roots and lower stems, and when the tree dies, it creates gaps in the canopy, affecting the area’s moisture and the sunlight, impacting the lives of the forest critters. After the tree dies, the fungus lives in the stump and spreads. ScienceDirect.com says this fungus originates from Laurasia. This fungus is hard and dark brown, which can turn black with white polypores on the underside.

Tyromyces chioneus, whose common name is White cheese polypore, is the cause of white rot in birch trees and most hardwood trees. It is also necessary as a deadwood decomposer. A polypore is a shelf-like fungus (instead of a mushroom’s stem) that’s spore-producing cells line pores. This white shelf fungus can be found individually or in clusters of 2-3. 

Thank you for reading and I hope this information is accurate and helpful while you explore Humboldt County forest!

References:

https://www.mushroomexpert.com/

https://lostcoastoutpost.com/nature/

https://en.wikipedia.org/

https://www.sciencedirect.com/